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2 entries this month
 

Sekhmet ... Original blood drinker in mythology?

15:05 Aug 07 2009
Times Read: 646


Sekhmet



In Eqyptian mythology, Sekhmet (also spelled Sachmet, Sakhet, Sekmet, Sakhmet and Sekhet; and given the Greek name, Sacmis), was originally the warrior goddess of Upper Egypt. She is depicted as a lioness, the fiercest hunter known to the Egyptians. It was said that her breath created the desert. She was seen as the protector of the pharoahs and led them in warfare.



Her cult was so dominant in the culture that when the first pharaoh of the twelfth dynasty, Amenemhat I, moved the capital of Egypt to Itjtawy, the centre for her cult was moved as well. Religion, the royal lineage, and the authority to govern were intrinsically interwoven in Ancient Egypt during its approximately three thousand years of existence. Sekhmet also is a solar diety, often considered an aspect of the Goddesses Hathor and Bast. She bears the solar disk, and the Uraeus which associates her with Wadjet and royalty. With these associations she can be construed as being a divine arbiter of Ma'at (Justice, or Order), The Eye of Horus and connecting her with Tefnut as well.



Upper Egypt is in the south and Lower Egypt is in the delta region in the north. As Lower Egypt had been conquered by Upper Egypt, Sekhmet was seen as the more powerful of the two warrior goddesses, the other, Bast, being the similar warrior goddess of Lower Egypt. Consequently, it was Sekhmet who was seen as the Avenger of Wrongs, and the Scarlet Lady, a reference to blood, as the one with bloodlust. She also was seen as a special goddess for women, ruling over menstration. Unable to be eliminated completely however, Bast became a lesser deity and even was marginalized as Bastet by the priests of Amun who added a second female ending to her name that may have implied a diminutive status, becoming seen as a domestic cat at times.



To pacify Sekhmet, festivals were celebrated at the end of battle, so that the destruction would come to an end. During an annual festival held at the beginning of the year, a festival of intoxication, the Egyptians danced and played music to soothe the wildness of the goddess and drank great quantities of beer ritually to imitate the extreme drunkenness that stopped the wrath of the goddess-when she almost destroyed humankind. This may relate to averting excessive flooding during the inundation at the beginning of each year as well, when the Nile ran blood-red with the silt from upstream and Sekhmet had to swallow the overflow to save humankind.



In 2006, Betsy Bryan, an archaeologist with Johns Hopkins University excavating at the temple of Mut presented her findings about the festival that included illustrations of the priestesses being served to excess and its adverse effects being ministered to by temple attendants. Participation in the festival was great, including the priestesses and the population. Historical records of tens of thousands attending the festival exist. These findings were made in the temple of Mut because when Thebes rose to greater prominence, Mut absorbed the warrior goddesses as some of her aspects. First, Mut became Mut-Wadjet-Bast, then Mut-Sekhmet-Bast (Wadjet having merged into Bast), then Mut also assimilated Menhit, another lioness goddess, and her adopted son's wife, becoming Mut-Sekhmet-Bast-Menhit, and finally becoming Mut-Nekhbet. These temple excavations at Luxor discovered a "porch of drunkenness" built onto the temple by the queen Hatshepsut, during the height of her twenty year reign.



In a later myth developed around an annual drunken Sekhmet festival, Ra, by then the sun god of Upper Egypt, created her from a fiery eye gained from his mother, to destroy mortals who conspired against him (Lower Egypt). In the myth, Sekhmet's blood-lust was not quelled at the end of battle and led to her destroying almost all of humanity, so Ra tricked her by turning the Nile red like blood (the Nile turns red every year when filled with silt during inundation) so that Sekhmet would drink it. However, the red liquid was not blood, but beer mixed with pomegranate juice so that it resembled blood, making her so drunk that she gave up slaughter and became an aspect of the gentle Hathor.



After Sekhmet's worship moved to Memphis, as Horus and Ra had been identified as one another under the name Ra-Herakhty-when the two religious systems were merged and Ra became seen as a form of Atum, known as Atum-Ra-so Sekhmet, as a form of Hathor, was seen as Atum's mother as Hathor had been the mother of the sun, giving birth anew to it every day. She then was seen as the mother of Nefertum, the youthful form of Atum who emerged in later myths, and so was said to have Ptah, Nefertum's father, as a husband when most of the goddesses acquired counterparts as paired deities.



Although Sekhmet again became identified as an aspect of Hathor, over time both evolved back into separate deities because the characters of the two goddesses were so vastly different. Later, as noted above, the creation goddess Mut, the great mother, gradually became absorbed into the identities of the patron goddesses, merging with Sekhmet, and also sometimes with Bast.



Sekhmet later was considered to be the mother of Maahes, a deity who appeared during the New Kingdom period. He was seen as a lion prince, the son of the goddess. The late origin of Maahes in the Egyptian panthenon may be the incorporation of a Nubian deity of ancient origin in that culture, arriving during trade and warfare or even during a period of domination by Nubia. During the Greek occupation of Egypt, note was made of a temple for Maahes that was an auxiliary facility to a large temple to Sekhmet at Taremu in the delta region (likely a temple for Bast originally), a city which the Greeks called Leontopolis, where by that time, an enclosure was provided to house lions.











souce:



Wikipedia.com





COMMENTS

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Isis101
Isis101
20:31 Aug 11 2009

Very interesting read; I am familiar with the myth!





WitchyPooh
WitchyPooh
00:04 Aug 12 2009

awesome.. i call on her and bast to protect my home





gothicagypsy67
gothicagypsy67
05:39 Mar 13 2013

beautiful& very interseting! story Indeed!:)





 

Poetry that I love

00:13 Aug 05 2009
Times Read: 652


Henry Wadsworth Longfellow





Tell me not, in mournful numbers,

Life is but an empty dream!

For the soul is dead that slumbers,

and things are not what they seem.

Life is real! Life is earnest!

And the grave is not its goal;

Dust thou art; to dust returnest,

Was not spoken of the soul.







Roman Tombstone





Do not pass by my epitaph, traveler.

But having stopped, listen and learn, then go your way.

There is no boat in Hades, no ferryman Charon,

No caretaker Aiakos, no dog Cerberus.

All we who are dead below

Have become bones and ashes, but nothing else.

I have spoken to you honestly, go on, traveler,

Lest even while dead I seem loquacious to you.





COMMENTS

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Isis101
Isis101
20:33 Aug 11 2009

The two poems here on death and the grave go well together!





SheWolf85
SheWolf85
13:17 Sep 09 2009

Cool poems.. I like the 2nd one.. :)





ANAKsuNAMUN
ANAKsuNAMUN
06:09 Jan 17 2010

Yes, I agree the two go well together...

I understand them and think them very

well, I see why you chose them.








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